Hideo Kojima, the creator, writer, and director of the Metal Gear Solid franchise, is known for creating extravangant tales of military thrillers in his videogames.
It came as a shock to millions of gamers when his latest creation, Metal Gear Solid 2: Sons of Liberty, ended up being a glaring departure from his standard writings. Not only was the story a tragedy, but it was also an Metal Gear Solid Essay different genre than he had ever delved into; it was postmodern. In addition, I would like to outline http://uht.me/essay-help/writing-a-phd-dissertation-pdf.php the postmodern genre entails, and why Metal Gear Solid 2: Sons of Liberty can be placed within this genre.
Within the complex story of Metal Gear Solid 2: Sons of Liberty, there are two major tragedies that occur, both of which are vastly different, and wide-ranging. This transformation is the catalyst of a discovery he made that undermined his own presidency. Click only did the Patriots preside over the executive branch of the government, but the legislative and judicial branches as well, and even beyond.
Their powers even expanded into private business, hospitals, and trade organizations.
The Art of Metal Gear Solid
When Solidus made this discovery, combined with a failure to deal with a situation known as the "Shadow Moses Incident," he was promptly removed from office, and The Patriots attempted to have him murdered. This is seen later throughout the game by the character the player controls, named Raiden. Raiden; who from a certain point of view can be seen as the antagonist; is a mercenary hired by Please click for source Patriots to, among other things, kill Solidus.
Following his resignation, Solidus' health was scheduled to fail him, bringing about his untimely death. But before the Patriots could execute their plot, Solidus went underground with the help of Ocelot. Raiden, who personifies the eyes and ears of the player, learns more and more as the game goes on regarding Solidus, and his quest for vengeance against The Patriots.
Although he is a mercenary hired by the elite group of twelve, very little information is divulged to him. The Patriots want Raiden to think that Solidus is a Metal Gear Solid Essay who has hijacked Arsenal Gear with the intentions of causing terrorism.
Solidus, in that scene, shows his hubris [contempt for 'the powers that be'], which can be seen in link more post-modern sense. Although his hubris and contempt for The Patriots is clear, his hamartia [ultimate flaw that causes his undoing] up this point is still a mystery. The Patriots forced this upon her by kidnapping her baby, and telling Olga that if they ever lost communication with Raiden, her baby would be killed.
Solidus knows this, but without thinking twice, he murders Olga, despite her confrontational semi-apology, and her dire situation. I applaud your attitude. If you have a death wish, [Solidus rushes in front of Olga. He is armed with a P90 rifle. See you in hell! He spins his rifle around and aims it at Olga's head.
Solidus pulls the trigger, and strikes Olga point blank in the head]. As is evident in this passage, Solidus shows no compassion for his comrades at all. All I want is to be remembered. By other people, by history. The Patriots are trying to protect their power, their own interests, by controlling the Metal Gear Solid Essay flow of information. I want my memory, my existence to remain.
Unlike an intron of history, I will be remembered as an exon. That will be my legacy, my mark on history. But the Patriots would deny us even that! I will triumph over the Patriots, and liberate us all, and we will become the "Sons of Liberty! There are several different tragic visions of this tragedy that are present in the game.
Although not all of them are actually voiced by Solidus, they all relate to him in a major way. I have narrowed it down to two major tragic visions that lie within the game. Solidus and Raiden are just weapons to be used on the battlefield.
Just pawns in a game. Clearly, this statement is an extremely negative view on the events that unfolded in the plot.
GW is saying that Solidus and Raiden are just toys being used by The Patriots, which in essence trivializes their lives. The next, and more significant tragic vision is said by Solidus himself. Liquid and Solid hunted down Big Boss, trying to sever the tie that bound them to him.
Unless you kill me and face your past, Raiden, you will never escape.
You'll stay in the endless loop -- your own double helix. This paints an extremely bleak portrait of life. Solidus is making a commentary on the very essence of life, saying that people cannot escape their own destiny, which he believes is predetermined by their DNA.
The only remedy for this problem, in his mind, is murder. This in itself is disturbing; the fact that the only way to change history is to commit the ultimate sin.
As a genetic clone of the perfect soldier, Solidus equates change with war. He believes the only way to achieve any kind of change must involve a bloody revolution, which is ultimately what brings his own downfall.
After his soliloquy, Arsenal Gear is activated, and crashes into Manhattan. Coincidentally, when Solidus and Raiden awaken after the crash, they find themselves on top of Federal Hall. George Washington took office as the first President of the United States of America years ago today. And it happened right here. We were going to declare another independence -- the dawn of a new nation -- here. The end of The Patriots' secret rule, liberation of this country -- this was where it was supposed to begin, this is where freedom could have been born.
Like Washington, Solidus was a war general before he became President, and they both fought to achieve their freedom. This can be seen as a way of expressing the Dionysian traits of freedom. Unlike Washington, though, Solidus fails.
His hamartia of disregard for family and Metal Gear Solid Essay, and his liberal view on murder finally consumes him in his final moment. This happens as Solidus reveals his ties to Raiden. This is my son I taught him everything. I never thought I'd read article you again I Metal Gear Solid Essay you for my own, and raised you as a soldier in the army of the Devil. I am your father, and your worst enemy.
My clone brothers and I are called monsters — replicates of evil genes You are one-of-a-kind -- But still a monster, shaped by a dark and secret history. We need to decide which monstrosity will have the privilege of survival. In a very symbolic gesture, Solidus, the father and personification of the Dionysian [free willed, breaks the rules to achieve his goals], challenges Raiden, the son and personification of the Apollonian [being controlled by the rules, bound to the will of the Gods.
A magnificent fight ensues. The two meet and prepare for one final blow. Solidus slices downward toward Raiden. But Raiden is able to dodge and slices Solidus down his back.
Blood pours from the wound and electricity flickers from his damaged power suit. Solidus stumbles toward the edge of Federal Hall. He throws both his swords to the side as he walks. As he reaches the edge, he turns about and mumbles something inaudiable to Raiden. He then falls backwards off the top of the building.
Seconds later, Raiden hears him land with a thud. Down below, Solidus has landed at the base of the statue of George Washington. With the last ounces of his strength, he reaches toward the father of the country he fought to save. Sons Metal Gear Solid Essay Liberty becomes prevalent. Post modernism is hard to define, as one of the aspects of the genre is to redefine and reinvent definition itself.
Floating images … maintain no relationship with anything at all, and Metal Gear Solid Essay becomes detachable like the keys on a key ring. The first evidence of post-modernism comes when Raiden meets a character named Vamp.
Vamp, who is a member of Dead Cellis, quite simply, a vampire. He exists in the story simply to taunt Raiden; he has little relevance in the main plot. The notion of portraying the deity-equivalents of the story as computers is a post-modern idea Centore, Raiden, as seen in the above quote, questions his actions on his entire mission because of this revelation.
Does the fact that he was being given an order from a machine make his actions any less real?
Driving Off the Map. Essay written by James , text, music, programs and data) pertaining to Metal Gear Solid or Metal Gear Solid 2 is protected by. Driving Off the Map. A Formal Analysis of Metal Gear Solid text, music, programs and data) pertaining to Metal Gear Solid or Metal Gear Solid 2 is protected by. Hideo Kojima wrote an essay on the similarities between Dunkirk and Metal Gear Solid was trying to say with Metal Gear, check out the original essay. Constructed Reality – An Analysis of Metal Gear Solid 2: Sons of Liberty. These are the kind of questions that are at the basis of Metal Gear Solid 2’s story. An analysis on genetics, evolution and information regarding the ending of Kojima's Metal Gear Solid 2:Sons of Liberty, based on Memes and Genes.
He certainly thinks so. However, where the tragedy lies in this point is the identity of The Patriots. Raiden learns that The Patriots are long dead, but live on through computer programs.